tuition
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Low Tide with David Hyde
Materials: Gesso Primed Board 16" x 12" Artisan Oils: Cadmium Yellow Medium Yellow Ochre Cadmium Red Light Cadmium Red Dark French Ultramarine Burnt Sienna Titanium White Artisan Mediums: Fast drying medium Thinner SAA Oil & Acrylic Brushes: No 4, 6, 8 Flat No 2, 4, 6 Round Also No 2...
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Out and About - Light on the River Var with Mitch Waite
SAA PA Mitch Waite use his oil paints to capture this vista of the River Var from this hillside vantage point. Materials: SAA Oil Paints: Titanium White Raw Sienna Burnt Sienna Cadmium Red Cadmium Yellow Ultramarine Blue Burnt Umber Alizarin Crimson Also: Turpentine Canvas Hog Hair Brush The Subject...
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Experimenting with Different Colours – by experienced watercolour artist and tutor, Bill Lupton (SAA Ambassador)
So I don't get too focused on a particular range of colours that I would normally work with, I sometimes select 2 or 3 different colours I am not familiar with and see how they work together in a painting. It's pretty usual for me to work with a limited... -
"Watercolour Technique: The Great Lake, Castle Howard" by Pete Chapple
This watercolour - completed from a photograph taken early in the morning in March 2017 at one of my favourite locations - Castle Howard in North Yorkshire. From this side of the great lake you can look up to the right to make out the house in the distance. The...
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A Limited Palette by Alison Hargreaves
Most often, in my classes, I use a limited palette (usually versions of the three primary colours) as I believe that this simplifies the painting for my students, and generally helps a painting become more pleasing on the eye. I often choose three primary colours….although not perhaps the classic ones...
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Amaryllis by Ali Hargreaves
This week, I have been teaching my classes how to paint flowers in a loose style as I have had a few students asking me how they can learn to paint more freely. I used SAA Permanent Rose, SAA Quinacridone Magenta, SAA Alizarin Crimson, SAA Prussian Blue, SAA Viridian and SAA...