Step by Step
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Sparkle!
As promised in the November issue of Paint, here’s your exclusive tutorial of the November front cover, called ‘Sparkle’ by Trevor Osborne. We’d love to see you having a go, too! Send your paintings to the editor, [email protected] Happy painting and drawing – and stay safe on bonfire night! Materials...
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Flying Barn Owl - Paul Apps
Oils for Beginners - Starting out in Oils Basic Colour Palette Palettes of colour (pigments) in all mediums are the same. The vehicle or carrier (suspension) it is mixed with will determine if you are using oils, acrylics, pastels or watercolour. So the rules for using colour for the most...
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Cromford Canal
Cromford Canal I hope you are tempted to try your hand at painting this scene and look forward to seeing the results. Join Matthew Palmer on the banks of the Cromford Canal, Derbyshire Materials SAA Gold Brushes: Sizes 14 and 6 round Size 02 rigger 12mm flat Matthew Palmer Tree... -
Capture the Light in Oils
Capture the Light in Oils The Cornish coast with just three colours Join PA Alan Kingwell as he explains how he captures the light on the Cornish Coast Materials Daler-Rowney Artists' Oils: French Ultramarine Blue Cadmium Orange Titanium White Raw Umber Also: White Gesso Winsor & Newton Liquid Original medium... -
Sun, Sea and Sand
Try Your Hand At... Sun, Sea and Sand Join former SAA president Jeremy Ford as he demonstrates how to capture a stunning sunset in pastel Materials Unison Colour Soft Pastels: Mid to light blue Deeper blue Dark blue Blue grey Black Mid to light orange Deeper orange Creamy yellow/orange... -
Being Positive about THE NEGATIVE
Being positive about THE NEGATIVE Inside and out PA Ali Lindley suggests a simple exercise to add a new technique to your painting skills Materials Watercolour Brushes: Round size 16 or above 1" Flat Watercolours: Burnt Umber or Prussian Blue Paper: Watercolour Paper no larger than 10" x 8...